Sunday 15 March 2009

Was 16th-century Scots alchemist the first man to fly?


He was judged by history as a crank, but an alchemist who jumped off the ramparts of a Scottish castle 500 years ago wearing wings made of hen feathers may have been the first man to fly.
Not only was John Damian a success, experts now say, but he may also have invented the world's first hang glider.


Damian's leap of faith in 1507 is the earliest recorded flight experiment in Scotland. It is believed that the alchemist and inventor was inspired by Leonardo da Vinci, who carried out his own experiments on the Continent a few years earlier.


Dressed in a winged contraption made of hen feathers Damian planned to soar through the skies from Stirling Castle to France. His mission, funded by King James IV, was intended to demonstrate the glory of Scotland's Renaissance, but it ended in ignominy when Damian landed in the nearby castle dungheap, breaking his leg.


The alchemist blamed the disaster on his wings. He said that the hen feathers from which they were made were attracted to sewage because hens were birds that “covet the middens and not the skies”. The story has been the source of much mirth over the centuries. Damian's most famous critic, the court poet William Dunbar, wrote a long satirical verse, claiming that every bird of the air had attacked him in protest. Yet the 16th-century Bird Man of Stirling Castle, as he has come to be known, could have the last laugh.

Charles McKean, professor of Scottish architectural history at the University of Dundee, has found evidence that, despite falling far short of its intended destination, the attempt was a success after all. Professor McKean has analysed contemporary maps and believes that Damian may have flown up to half a mile. “To obtain the best uplift for his long journey, Damian flew off the west side of the ramparts' highest point,” he said. “To the repeated scorn of the poet William Dunbar, he landed in a midden and broke his thigh bone. He was ridiculed and the attempt dismissed.

“Anyone looking over the west parapet of Stirling Castle would realise that someone tumbling down the rock at that point would end up very dead.


“Moreover, the royal gardens lay at its foot. Although the exact processional route between castle and gardens remains unclear, this was no place for a midden.

“A 1702 plan of the town, on the other hand, indicates the nearest midden half a mile away, beyond the current Smith Art Gallery. If that was the one in which Damian landed, there is but one conclusion - the wings worked.”

Professor McKean added: “He didn't reach France, of course, but I believe his flight should be regarded as an historic success. Either the wings worked as they were intended to or Damian invented the world's first glider. No one at that time, including da Vinci, had achieved better results.”

Professor McKean, who will give a public lecture on the historic experiment in Stirling next month, said that the achievement was ridiculed by Dunbar because he was jealous of Damian's favoured position with the King and the massive funding that he received.

A negative version of events was later used by Protest historians to portray Scotland's Renaissance as inferior to the movement that took place in the rest of Europe, he said.
The revised version of events has now been included in guided tours of the Stirling Smith Gallery in Stirling, which is currently hosting an exhibition of drawings by da Vinci.

Craig Mair, a local historian, said: “John Damian has been branded a failure for 500 years but it always seemed incredible, if the wings did not work, that he survived a drop of more than 75 metres with only a broken thigh bone.

“This new explanation seems entirely plausible. He may, in fact, have been the first man to fly.”
Damian won the support of King James IV after he claimed to be able to create gold from base metals. The King granted him the post of Abbot of Tongland, in Galloway.
Even though his schemes failed, the King was clearly still impressed by Damian and gave him a pension of 200 ducats when he retired in 1509. Damian continued to work at the royal court until 1513.
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Saturday 14 March 2009

A 16th century lab in a 21st century lab

The archaeological assemblage from Oberstockstall constitutes the most comprehensive Renaissance laboratory ever recovered. The finds were discovered in a dump beneath the sacristy of the church adjoining a manor house in Kirchberg am Wagram, Lower Austria, probably buried after an earthquake. They comprise fragments of eight hundred artefacts, including triangular crucibles, shallow scorifiers, bone-ash cupels, alembics, aludels, cucurbits, adopters, receivers and other chemical apparatuses of ceramic and glass, together with metal and slag remains, furnace bricks and other artefacts of leather, textile and bone.
Dated to the second half of the 16th century AD, the activity in this laboratory coincides with a zenith in the quest for the philosophers' stone and the transmutation of base metals into gold, and with a major development of the techniques of metallurgical analysis in Europe. The tools recovered resemble strongly the equipment described in metallurgical and alchemical written sources of the time .


MORE:
http://antiquity.ac.uk/Projgall/martinon/

Saturday 28 February 2009

NOTRE DAME DE PARIS AND THE ALCHEMY by Fulcanelli


Fulcanelli (1839 - fl.1953) was undoubtedly a Frenchman, widely and profoundly educated, and learned in the ways of alchemical lore, architecture, art, science, and languages. Fulcanelli wrote two books that were published after his disappearance:
1/ Dwellings of the Philosophers, published in Paris in 1929.
2/ The Mystery of the Cathedrals, written in 1922 and published in Paris in 1926.
The Mystery of the Cathedrals decodes the symbology found upon and within the Gothic Cathedrals of Europe which have openly displayed the secrets of alchemy for 700 years.
Chapter two of The Mystery of the Cathedrals ends with the declaration that not only are the cathedrals books in stone, and Notre-Dame in particular is the Philosopher's Book, but that the book has secrets hidden, as Fulcanelli so eloquently says, "under the petrified exterior of this wonderous book of magic."
Alchemist sculpture on Notre Dame.
MORE ABOUT FULCANELLI:

Sunday 15 February 2009

The XVI Century: François 1st and the alchimists














Francis I (French: François 1er and François d'Angoulême) (12 September 1494 – 31 March 1547), was crowned King of France in 1515 in the cathedral at Reims and reigned until 1547.
Francis I is considered to be
France's first Renaissance monarch. His reign saw France make immense cultural advances. He was a contemporary of King Henry VIII of England and of Holy Roman Emperor Charles V, his great rivals.

Francis poured vast amounts of money into new structures. The largest of Francis's building projects was the reconstruction and expansion of the royal château of Fontainebleau, which quickly became his favourite place of residence, as well as the residence of his official mistress - Anne, duchess of Étampes. Each of Francis's projects was luxuriously decorated both inside and outside. Fontainebleau, for instance, had a gushing fountain in its courtyard where quantities of wine were mixed with the water.



CHATEAU OF FONTAINEBLEAU




























































































The salamander was a symbol of enduring faith which triumphs over the fires of passion. It was also the badge of Francis I of France, with the motto, "I nourish [the good] and extinguish [the bad]." It appears in the arms of Fontainebleau and others castles.




























Early in his reign, Francois 1st began construction of the magnificent Château de Chambord, inspired by the styles of the Italian renaissance, and perhaps even designed by Leonardo da Vinci.




CHATEAU OF CHAMBORD
































700 salamenders are featured in the Château of Chambord.














However, some very few historians say that Francis 1st had chosen the salamender as badge because he was very interested in the alchemists theories.

Indeed, this amphibian was the symbol of the alchimists.

In alchemy, alchimists held the salamander to be a fire-eater and able to quench fire with its cool, moist body. In the alchemical philosophy, anything that had the power to transform something into something else was hugely important.















For these few historians, Francois 1st was so interested in the alchemy that, in 1521, he decided to forbid some books relating to alchemy.

His goal was to keep for him all the theories about alchemy and the philosophal stone.

The interest of Francois 1st in the alchemy would have come from his mother, Louise de Savoy.

Indeed, Agrippa, the famous alchimist, was the court physician of Louise de Savoy.


More about Francois 1st and the salamenders:


Alchemists places in France: Castle of Dampierre sur Boutonne ( Charente Maritime)














Castle built from 1495 to 1550.
































































MORE ABOUT DAMPIERRE:

Alchemists places in France: The Hotel Lallemant in Bourges

The Hotel Lallemant is located at Bourges.

It was built between 1495 and 1518 and constitutes a remarkable example of the first French Rebirth. Acquired by the town of Bourges in 1826, it accommodates since 1951 the museum of Decorative Arts.

The thirty boxes located at the ceiling constitute the principal interest of the residence. They interest the contemporary alchemists particularly since Fulcanelli devoted a chapter in to them the Mystery of the Cathedrals.


More about The Hotel Lallemant and its alchemists boxes:

http://hermetism.free.fr/Hotel%20Lallemant%20et%20Fulcanelli.htm

Alchemists places in France: Nicolas Flamel's home


Nicolas Flamel (1330–1418) was a successful scrivener and manuscript-seller who developed a posthumous reputation as an alchemist due to his reputed work on the Philosopher's Stone.
An alchemical book, published in Paris in 1612 as Livre des figures hiéroglypiques and in London in 1624 as
Exposition of the Hieroglyphicall Figures was attributed to Flamel.

It is a collection of designs purportedly commissioned by Flamel for a tympanum at the Cimetière des Innocents in Paris, long disappeared at the time the work was published. In the publisher's introduction Flamel's search for the Philosopher's Stone was described. According to that introduction, Flamel had made it his life's work to understand the text of a mysterious 21-page book he had purchased.

The introduction claims that, around 1378, he traveled to Spain for assistance with translation. On the way back, he reported that he met a sage, who identified Flamel's book as being a copy of the original Book of Abraham. With this knowledge, over the next few years Flamel and his wife allegedly decoded enough of the book to successfully replicate its recipe for the Philosopher's Stone, producing first silver in 1382, and then gold.


According to the introduction to his work and additional details that have accrued since its publication, Flamel was the most accomplished of the European alchemists, and had learned his art from a Jewish converso on the road to Santiago de Compostela. "Others thought Flamel was the creation of 17th-century editors and publishers desperate to produce modern printed editions of supposedly ancient alchemical treatises then circulating in manuscript for an avid reading public," Deborah Harkness put it succinctly.



The modern assertion that many references to him or his writings appear in alchemical texts of the 1500s, however, has not been linked to any particular source. The essence of his reputation is that he succeeded at the two magical goals of alchemy -- that he made the Philosopher's Stone which turns lead into gold, and that he and his wife Perenelle achieved immortality.



Flamel's house still stands in Paris, and is now the oldest house in the city. The ground floor contains a restaurant.

MORE ABOUT NICOLAS FLAMEL:

http://en.wikipedia.org/wiki/Nicolas_Flamel

MORE ABOUT ALCHEMISTS IN FRANCE: DIDIER KHAN, HISTORIAN AND SPECIALIST ABOUT ALCHEMY:

http://www.monumenta.com/2007/index.php?option=com_content&task=view&id=151&Itemid=9

Sunday 8 February 2009

The XVI Century: John Dee, the English alchimist (1527-1608)



John Dee was an eminent Elizabethan mathematician and astrologer. His studies into the Occult took him abroad on many occasions, and this has added weight to the suspicion that he was also a secret government agent (code name 007). He was employed teaching navigation to Naval Captains for 30 years, but is most well known for his active involvement in occult thought and practice.Dee was born near London on the 13th of July 1527. His father was a gentleman server in the court of King Henry VIII. John claimed to be a descendant of Roderick the Great, a Prince of Wales.



In 1542 at the age of 15, Dee entered Cambridge College and graduated in 1544 with a BA. In 1546 he was made a fellow of Trinity College, and appointed the role of Greek underwriter. 1547 found Dee visiting the Holland and France, mixing with some of the key members of academic society. He was living in Louvain by 1548. Dee spent a few months lecturing geometry in Paris, and declined the offer of a permanent appointment in Sorbonne. He also taught at both Louvain and Brussels Universities. Returning to England in 1551, he was given the job of teaching navigation and mathematics to Naval Captains.


During the reign of Queen Mary Tudor (Bloody Mary), Dee was arrested and accused of attempting to kill her with sorcery. He was imprisoned in Hampton Court in 1553. The reason behind his imprisonment may have been a horoscope that he cast for Elizabeth, Mary's sister and heiress to the throne. The horoscope was to ascertain when Mary would die. He was finally released in 1555 after being set free and re-arrested on charges of heresy. In 1556 Queen Mary gave him a full pardon.

Queen Elizabeth succeeded her sister in 1558. Dee became her trusted advisor on astrological and scientific matters, choosing Elizabeth's coronation date himself.

From the 1550s through the 1570s, he served as an advisor to England's voyages of discovery, providing technical assistance in navigation and ideological backing in the creation of a "British Empire", a term that he was the first to use.





In 1564 one of his many books dealing with Occult matters, The Monas Hieroglyphica was published, the Monas Hieroglyphica is a symbol created by Dee, which he believed was the ultimate symbol of Occult knowledge. The following year he published Di Trigono.
It is noted that Dee was approached for consultancy when a new star was discovered in 1572, and in 1577 Queen Elizabeth asked Dee about the possible portents of a comet that had been observed.


He began his experiments in trying to contact discarnate entities in 1581, mainly fuelled by strange dreams, feelings and mysterious noises within his home. On 25 May 1582 he recorded that he had made his first contact with the spirit world, through the medium of his crystal ball. This had taken Dee years of work to achieve, through studying the occult, alchemy and crystallomancy. Spirit contact would prove to be a major driving force behind Dee for the rest of his life.

Dee found contacting the spirits tiring, and started to employ gifted scryers so that he would be free to make extensive notes on the communications received. Dee had been working with a scryer called Barnabas Saul, until he had experienced some disturbing encounters, and could no longer see nor hear beings from the other realm, so in March 1582 Dee started to search for a work colleague.

Edward Kelly, who was 27 seemed to fit the bill perfectly, however he was a gifted con artist and continued to fool Dee many years to come. Kelly's ears had been cropped for forgery, and he is supposed to have dug up a corpse in Walton le Dale, Lancashire for necromancy, an event often wrongly attributed to Dee.
In November 1582 they encountered an Angel, Uriel. The Angel gave instructions for a magical talisman with which they could contact the spirit world more easily. Many of their ritual objects including Dee's obsidian scrying mirror are now in the British Museum.
Kelly would continuously make new discoveries that amazed Dee, and he introduced him to the fact that both good and evil spirits existed beyond the veil. It was around this time that Dee started using the mysterious Enochian script to communicate with the Angels. Called the language of angels it is definitely a structured language, although its real origins are obscure. Whatever its origins people who have worked with Enochain magic have claimed that it does seem to work.
As the claims of Kelly and his abilities grew, the pair's fame flourished, even in continental Europe. With fame came a source of income, which Dee used to fund his experiments into metal transmutation. Dee also claimed to have found the 'Elixir Vitae' (The alchemical elixir of life or philosophers stone) hidden in the ruins of Glastonbury Abbey.
The Polish Albert Laski, Count Palatire of Siradz, descendant of the Anglo-Norman Lacies, came to England in search of Dee and Kelly. He was duped by Edward Kelly and his scrying ability, into believing great things were meant him. Indeed a great many messages were received from the Spirit realm concerning Laski, Kelly, Dee, and European politics.
In 1583 Dee and Kelly convinced Laski to return to Poland, taking the two Englishmen and their wives with him. They set about trying to transmute iron into gold to fund their regeneration of Europe. Although they were always just on the brink of success, the experimental transmutation experiments never worked.
While Dee was away in Europe things were not boding well at home. In 1583 a large mob attacked Dee's home in at Mortlake in Surrey destroying his collection of books, occult instruments and personal belongings. The attack was probably in response to rumours that Dee was a wizard.

Meanwhile back in Poland Kelly and Dee's experiments proved very costly, Laski lost his fortune and lands funding the two alchemists work, and when it became apparent that he could no longer afford to continue paying for their experiments, the spirits, including Uriel, expressed their doubts through Kelly that Laski may not have been the right man to bring about the changes in Europe.
To ease his financial burden, Laski offered to pay for the pair to visit Prague, and provided a letter of introduction to Emperor Rudolph II. Amazingly this offer coincided with a command from the spirits via Kelly, urging Dee to deliver a divine message to the Emperor. They arrived in Prague in 1586 to courteous welcome from Emperor Rudolph II, who became intrigued with the idea of the Philosophers Stone. Their stay was cut short after a few months when the Pope demanded that the Emperor should dismiss them, either that or they should be imprisoned or burned at the stake.
After living for a while on the streets of Krakow as fortune-tellers, they managed to convince King Stephen of Poland that he would be the one to assassinate Emperor Rudolph and replace him. Stephen soon grew tired of their constant demands for money, and diverted their attention to Count Rosenberg, who allowed them to live and work within his castle. Two years later their experiments had still not made any further progress.



The two Englishmen started to argue when Kelly decided that he would like to taste the carnal pleasures of Dee's young wife. Dee should not have been surprised when the spirits, communicating through Kelly told him that they wished the pair to share their wives. As this was a command from God, it would not be sinful. Dee grew convinced that Kelly was being contacted by evil spirits, and after another huge argument the pair parted company.
Dee failed to make a scryer out of his son, Arthur, and started to feel the absence of regular other world contact. He was so happy when Kelly returned that he agreed obey the wish of God and share their wives. The two wives were hesitant at first but eventually obeyed God's word, and by May 1587 Kelly was sharing Dee's wife.

This was never a suitable situation and the arrangement took its toll on all of them. When Dee was given permission by Queen Elizabeth I to return to England in 1589 he did so, leaving Kelly behind. At Mortlake Dee continued his studies with another two scryers, both charlatans. Dee was appointed the Chancellorship of St Paul's Cathedral by the Queen, and in 1595 swapped this for the Wardenship of Manchester College. He retired from this post in 1603 when he returned to Mortlake to continue his fortune telling.

Kelly was killed in 1595 whilst trying to escape from prison in Prague. He climbed out of a high window and fell to his death.
Dee was being accused of being a wizard in 1604, and had to petition King James I for protection.
Dee died in poverty at Mortlake in 1608 aged 81 years.


ARTIFACTS:

The British Museum holds several items once owned by Dee and associated with the spiritual conferences:
. Dee's Speculum or Mirror (an obsidian Aztec cult object in the shape of a hand-mirror, brought to Europe in the late 1520s), which was once owned by Horace Walpole.
. The small wax seals used to support the legs of Dee's "table of practice" (the table at which the scrying was performed).
. The large, elaborately-decorated wax "Seal of God", used to support the "shew-stone", the crystal ball used for scrying.
. A gold amulet engraved with a representation of one of Kelley's visions.
. A crystal globe, six centimetres in diameter. This item remained unnoticed for many years in the mineral collection; possibly the one owned by Dee, but the provenance of this object is less certain than that of the others.


More about John Dee:


The XVI Century: Heinrich Cornelius Agrippa, the German alchimist (1486-1535)



Heinrich Cornelius Agrippa von Nettesheim (September 14, 1486February 18, 1535) was a German magician, occult writer, theologian, astrologer, and alchemist.




LIFE
.1486. Agrippa was born in Cologne within the Holy Roman Empire (Colonia Agrippina in the Roman Empire, its inhabitants were called Agrippinenses) where Albertus Magnus professed and died 200 years ago. Cologne was an important academic and publishing center in the Empire and in his youth Agrippa became famous in his native town for refusing to speak anything but Latin. Afterwards he often referred to himself with the Latin part of his name, i. e. Cornelius Agrippa.

. 1493. Emperor Maximilian I succeeded his father Friedrich III. He was to become the main patron of Agrippa. In the same year Paracelsus was born in Einsiedeln, near Zürich.


. 1494. Johannes Reuchlin published his De verbo mirifico (On the Word that makes miracles) in Germany.

. 1499. Agrippa enrolled in the Faculty of Arts at Cologne University and received his License in Arts on 14.III..1502. By 1506, as we read in his Epistles, he was a secretary to the Emperor Maximilian I and studied in the University of Paris where he organised a secret society - a brotherhood of students interested in alchemy and magic. Its members were to help and play an important role during his whole life. In the same town, exactly 300 years before the first rosicrucian societies of that kind appeared, Jacques de Molay was burnt alive in 1314 thus proving what Agrippa wrote on the qualities of fire "alterum comprehendens, incomprehensibilis, et lux omnibus vitam tribuens". Landulfus became Professor at the University of Pavia, Germain became historian to Charles V. During the same year Reuchlin published his Hebrew grammar and dictionary.

. 1508. Agrippa travelled to Spain (Barcelona etc.), the Balearic Islands and Italy (Naples etc.) and then to France (Avignon).


. 1509. He lectured in the University of Dôle on De verbo mirifico, with the support of the University's chancellor and Archbishop of Besançon Antoine de Vergy. The courses were free of charge. They were attended even by Parliament councillors, which made him quite, maybe too famous (which was very dangerous and still is, even without the Inquisition). Lectures were dedicated to Princess Margaret, daughter of Maximilian I (she was governor of Netherlands etc., incl. Dôle). Agrippa became Professor of theology at the University of Dôle. He wrote De Nobilitate et præcellentia to gain favour of Margaret, but his efforts met a fierce opposition from the Franciscan order of Burgundy and he could not publish it until 1532. End 1509. Agrippa was 23 years old when he sent the manuscript of De occulta philosophia to his friend and teacher Johannes Trithemius, abbot of Spanheim, near Würzburg (Trithemius was also Paracelsus' teacher of alchemy).

. 1510. In his answer to Agrippa, concerning De occulta philosophia (8.IV.1510), Trithemius wrote: "I wonder... that you, being so young, should penetrate into such secrets as have been hid from most learned men, and not only clearly and truly, but also properly and elegantly set them forth".
Jean Catilinet, head of the Franciscan order of Burgundy, delivered at Ghent a sermon before Princess Margaret, against Agrippa's lectures at Dôle. Agrippa had to leave the continent, accused of judaicising heresy. Emperor Maximilian I sent him as ambassador to Henry VIII, as Agrippa wrote in his Epistles - on an occultissimum negotium. Shortly after this mission (by the end of 1511) Maximilian I left Louis XII and united with Henry VIII against France. Agrippa stayed in the house of Erasmus' friend John Colet, pupil of Ficino, who by that time lectured at Oxford on the Epistles of Saint Paul. On the basis of the Epistles, Agrippa wrote an Expostulatio to the accusations of the Franciscans.

. 1511. Agrippa returned to Cologne and resumed lecturing, this time at the Cologne University. By mid 1511 he entered the Army and soon became Captain - a position (much higher than it is today) which showed his influence, as well as his belonging to (at least) middle nobility. In late 1511 he took part in the Council of Pisa, as a German theologist, where he was excommunicated together with other "defiants". Shortly after, the pope died and the new pope Leo X revoked his excommunication in February 1513. The Emperor assigned a new patron for Agrippa - William IX Paleologus, Marquis de Monferrat.


. 1512. Agrippa lectured in the Faculty of Arts at the University of Pavia on Plato's Convivium. Till 1515 Agrippa stayed in Italy as a soldier and diplomat under the Duke of Milan. He studied Ficino and Pico de la Mirandola. By mid 1515 Agrippa lectured at Pavia University on Pimander (Ficino's Latin translation of the Corpus Hermeticum). Eventually here he made his doctorates on both laws and medecine. By the end of 1515 he dedicated his De triplici ratione cognoscendi Deum to his patron William. But then Francis I, king of France, invaded Pavia. Agrippa lost his fortune and had to leave the town.


. 1516. He gave lectures of theology at the University of Turin, probably based on the Epistles of Saint Paul.
Mid 1517. He became court physician to Charles III, Duc de Savoy, who was close to Margaret of Austria and William Paleologus, but the payment was so low that he refused it and the next year left for Metz where he became orator and advocate of the town. By this time, he wrote his "De originali peccato, On Geomancy" and a treatise on the plague.
In 1519, while in Metz, Agrippa defended Jacques Lefèvre d'Etaples from Claudius Salini, prior of the Celestine monastery and also won a case, defending a woman accused of witchcraft by the Inquisitor of Metz. Agrippa even succeeded in removing the Inquisitor from that case. Of course, he again became too famous and there was no more place left for him in Metz.


. 1520. He returned to Cologne where he got the magical part of the Trithemius library. By that same year Charles V succeeded Agrippa's patron, the Emperor Maximilian I. In 1521 Agrippa went to Geneva and showed ultimate interest in Martin Luther. In October 1522, he went to Friburg (Switzerland) where he worked as town physician but often helped magistrates and used his diplomatic skills.


. May 1524. He went to Lyon as court physician to Louise de Savoy, Queen mother of Francis I. There he wrote his Commentary on Ars brevis of Raymond Lully. During the same year began an impressive conjunction of planets - the Big Parade, which rose dramatically the interest in astrology and it became the celebrity of the day. All authorities and influential people amused themselves in ordering horoscopes even for the most trivial decisions. Astrologers were overwhelmed with work, often did not care about the lengthy calculations and simulated - this golden mine resulted in a total abandoning of the old Chaldean principles in astrology and had its destructive impact on all mantic arts.




. By mid 1526, Agrippa was still not paid for his court duties and when the Queen mother asked him to make a horoscope for her son the king Francis and his war with Charles V and the Bourbons, he refused with bitter comments on Louise in a letter which she somehow managed to read. Moreover, he predicted a triumph for the Bourbons. Thus Agrippa was forced to stay in Lyon without pension and without the right to leave the town. He did it only in December 1527. This was the perfect background and the right time for Agrippa's attack on the astrologers and magicians of the day in his De incertitudine et vanitate scientiarum et artium.


. July 1528. After problems with leaving France, Agrippa went to Antwerp where he tried successfully to regain the favour of Margaret of Austria and in January 1529 she appointed him as Archives Councillor and Historiographer to the Emperor Charles V. Agrippa also obtained the print license and copyright to publish his works. In Antwerp Agrippa settled and again became too popular. He had many pupils, including Johann Wierus and as may be seen from his writings, resumed alchemical experiments in his laboratory.


. But in August 1529 the plague raged in Antwerp and all physicians left the city. Agrippa stayed and treated the sick. After it was over, the physicians returned and accused him of practicing without a proper diploma, trying to keep him away from their rich patients. Eleven years ago he wrote a treatise named Securest antidotes against the plague on a request of Theodoric, Bishop of Cyrene.





. IX 1530. Agrippa published his "De incertitudine et vanitate scientiarum". By the end of the year, his patron Margaret of Austria died and Agrippa was again not paid for his duties at the court, Charles V obviously being against the former court physician of Francis I's mother. De incertitudine "helped" much in that direction.


. II 1531 Agrippa published the first edition of De occulta philosophia from the press of John Grapheus at Antwerp. As he intended to put the whole work to the press, he included all the index in the first book. It was dedicated to Hermann von Wied, Archbishop of Cologne. Now against him were the Emperor, the monks of Louvain and the scholars of the Sorbonne, as we may read in his last work (1533) Complaint against the Calumny of the Monks and Schoolmen. By mid 1531, Agrippa left Antwerp for Brussels and settled in a little house in Mechlin. The next year, upon the invitation of Hermann, he went to Poppelsdorf, then moved to Bonn. The Dominican Conrad Köllin, Inquisitor of Cologne, delayed the other 2 volumes but with the Archbishop's influence, after some compromise, publication was resumed and the whole book appeared in 1533 without information on place, publisher etc., with fragments from De incertitudine.


. July 1533. Agrippa's correspondence suddenly ended and the next events were described according to his pupil Johann Wierus. The Dominicans continued their prosecution and urged Charles V who sentenced Agrippa to death for heresy. He fled to France despite his relations with Francis I, who put him immediately in prison for the old offense with the horoscope. Then Charles V changed the sentence to exile. Agrippa was soon released by friends, made his way towards Lyon but did not appear there. He was last seen in Grenoble, Rue des Clercs, in the house of the Ferrand family, owned by Vachon, governor of Grenoble, son of M. Vachon - Receiver General of the Province of Dauphine. His manuscripts and letters in secure hands, he had nothing else to do in this world. And he departed.


.In 1545 we read a little note: "Henricus Cornelius Agrippa ab Nettesheym a conciliis et archivis Indiatrii sacrae Caesareae Maiestatis armatae militiae equitis aurati et utriusque iuris doctoris qui intra decennium aut circiter Gratianopoli in Gallia ad summam paupertatem redactus obiit". Where, when, did anyone help (his body resting in a Dominican convent), did the yellow serpent help the Little Prince, does it matter? It does not matter. Because he is part of a Tradition holding the foundation of a whole human civilisation with a Teaching - the mortality of the body, the greatness of the Spirit, the immortality of the Soul and the freedom of human choice - to be conquered by Sin and Punishment or to conquer them attaining the One in the multitude.

... After that, we know nothing of Agrippa's wife and sons. All we know is that his manuscripts and letters made their own way to the publisher in Lyon. And when you ask them who was that man who put life in them, De incertitudine, from its first page, will always assert:


BOOKS:

Agrippa is perhaps best known for his books.
De occulta philosophia libri tres (Three Books Concerning Occult Philosophy, Book 1 printed Paris 1531; Books 1-3 in Cologne 1533). This summa of occult and magical thought, Agrippa's most important work in a number of respects, sought a solution to the skepticism proposed in De vanitate. In short, Agrippa argued for a synthetic vision of magic whereby the natural world combined with the celestial and the divine through Neoplatonic participation, such that ordinarily licit natural magic was in fact validated by a kind of demonic magic sourced ultimately from God. By this means Agrippa proposed a magic that could resolve all epistemological problems raised by skepticism in a total validation of Christian faith.

More about Heinrich Cornelius Agrippa:

"The Abyss" by Marguerite Yourcenar

The Abyss (French: L'Œuvre au noir) is a novel by the French writer Marguerite Yourcenar centered around the life and death of the fictional character Zeno, a physician, philosopher, man of science and alchemist born in Bruges during the Renaissance era. The book was published in France in 1968 and was met with immediate popular interest as well as critical acclaim, obtaining the Prix Femina with unanimous votes the year of its publication. The English translation by Grace Frick has been published under the title The Abyss or alternatively Zeno of Bruges. Belgian filmmaker André Delvaux adapted it into a movie in 1988.
TITLE
The French title L'Oeuvre au noir refers to the first step (nigredo) of the three steps the completion of which is required to achieve the Magnum opus in the discipline of alchemy which ultimate goal is to transmute lesser metals into gold or to create the Philosopher's stone.
In Yourcenar's own words, "In alchemical treatises, the formula L'Oeuvre au Noir, designates what is said to be the most difficult phase of the alchemist's process, the separation and dissolution of substance. It is still not clear whether the term applied to daring experiments on matter itself, or whether it was understood to symbolize trials of the mind in discarding all forms of routine and prejudice. Doubtless it signified one or the other meaning alternately, or perhaps both at the same time."
The English title The Abyss gives a slightly different lead by the evocation of fathomless depths, a likely image of the alchemist's inner journey, which are at the same time a Christian vision of hell, to which his contemporaries may wish to condemn him.

CONTEXT
The novel is set principally in Flanders of the 16th century, in the period opening the Early modern era of booming capitalistic economy, of renewed approaches to sciences, of religious upheavals and bloody counter-Reformation, to the background of incessant wars between countries and the creeping chaos of the Black Death. In this setting, Zeno, the main character, is portrayed as a Renaissance Man of great intelligence and talent whose freedom of thoughts will come to be tested by the confines of his time.

BOOK SUMMARY
Unlike Memoirs of Hadrian, the author's prior acclaimed historical novel, The Abyss is written in the third-person narrative. Instead of focusing on the thoughts of a single character, it recounts by slices the lives of many characters, presenting different facets of life in the book's era.
The novel's central figure, around whom the other characters' lives are limned, is Zeno, an illegitimate son born in the Ligre household, a rich banking family of Bruges. Zeno renounces a comfortable career in the priesthood and leaves home to find truth at the age of twenty. In his youth, after leaving Bruges, he greedily seeks knowledge by roaming the roads of Europe and beyond, leaving in his wake a nearly legendary — but also dangerous — reputation of genius due to the works he accomplishes.

The XVI Century: Denis Zachaire (1510-1556), The French Alchimist






























Bordeaux XVI th






































Plague during the XVI Th Century